GUILLERMO
RODRIGUEZ
  • ABOUT
  • SELECTED WORK
  • INSTAGRAM
  • CONTACT
  • BIO
  • STATEMENT
  • DECANTATION series
  • FOREIGN BODY series
  • @drawingthelandscape
  • art@guillerodriguez.com
I was born in Luanco, a fishing village in Asturias, and grew up inside my family's seafood restaurant, right across from the harbor. Boats, tides, and the constant movement of catch arriving and being transformed made up the everyday landscape of my childhood. Part of that landscape was also the care of animals that would end up on the table: normalized slaughter, blood as an ordinary domestic fact. A display tank, ice, a holding tank, the weight of carried seawater. I work mainly with sculpture and installation: I begin with an image or a fragment and let the process push the idea somewhere I hadn't foreseen. I isolate fragments cast from my own body.

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Affect is usually assumed to tend toward warmth, relation, and cohesion. I am interested in the opposite: weight, residue, what leaks out unintentionally. Not darkness as dogma, but the honesty of what the body carries without displaying. My work develops through the transformation and assemblage of materials and objects. Some arrive already charged: a zazen cushion, barrier tape, a chair stripped of its seat, shark teeth, a javelin, the inside of my ear, the tip of a finger. Before function or symbol, they operate as presence. I keep them without fully understanding why. I think of these elements as cavities — external organs through which sensation can exist — where guilt, desire, disgust, or threat ferment. The works resist fixed readings and hold together through proximity, displacement, and material transformation over time.


Figures I—VII
40 x 36 x 183 cm
Beech Wood

  • Vertebrae
    Vertebrae 2023, Distressed headrests and meditation cushion replicas, empty conduit, massage table tension cable. W250 x D40 x H178 cm
  • Intertwinement — Graft
    Intertwinement — Graft 2025, cast pewter, tree branch, steel snips. W87 x D44 x H266 cm
  • Intertwinement — Lucid Retching
    Intertwinement — Lucid Retching 2025, cast pewter, glass. W38 x D14 x H18 cm
  • Intertwinement — Your Cry, Mine, Those of the Dogs
    Intertwinement — Your Cry, Mine, Those of the Dogs 2025, cast pewter. W52 x D31 x H82 cm
  • Double Figure
    Double Figure 2024, cast pewter, stainless steel tube, steel wire rope. W180 x D12.7 x H33 cm
  • Demi-Pointe
    Demi-Pointe 2024, cast pewter, steel balls, steel wire rope. W25 x D25 x H218 cm
  • Cavity
    Cavity 2024, steel, paint, rubber, human hair. W71 x D41 x H84 cm
  • Lo que buscaba en los caminos no era tanto 
un albergue como mi hambre
    Lo que buscaba en los caminos no era tanto un albergue como mi hambre 2023, aqua-resin, fiberglass fabric, urethane rubber, aluminium tube, rings and aluminium scales. W120 x D130 x H155 cm
  • Una mañanita salgo de la sombra
    Una mañanita salgo de la sombra 2023, reclaimed chair, latex. W56 x D69 x H106 cm
  • Decantations (breathing system)
    Decantations (breathing system) 2026, latex, pigmented resin, air compressor, electric kettles, PVC water tank. Variable dimensions
  • Decantation — The Dreamed-of Caresses (Fountain, bed, mouth)
    Decantation — The Dreamed-of Caresses (Fountain, bed, mouth) 2026, glass panel, metal clips, aluminium cross connectors, drinking glasses, c-print with 3D-printed resin head (automotive paste), pewter puddle. W60 x D41 x H56 cm
  • Descending Nootes
    Descending Nootes 2019, painted javelines, cotton straps, wooden blocks. Variable dimensions
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ABOUT

  • BIO
  • STATEMENT

SELECTED WORK

INSTAGRAM

  • @drawingthelandscape

CONTACT

  • art@guillerodriguez.com